Selected publications
Le violon « instrument le plus propre de tous pour faire danser », Il Scolaro de Gasparo Zanetti : une introduction
Constance Frei
Published in in L’eredità di Diego Carpitella : etnomusicologia, antropologia e ricerca storica nel Salento e nell’area mediterranea. Ed. par M. Agamennone et G. L. Di Mitri. Nardò, Besa 2002 in
Tra scrittura e oralità : i movimenti cromatici della tecnica violinistica di Luigi Stifani
Constance Frei
Published in in Melissi : Le culture popolari. Nardò, Besa 2005, pp. 35-42 in
Bach trascrittore di se stesso. Un confronto tra la fuga in sol minore per violino solo (BWV 1001) e la fuga in re minore per organo (BWV 539)
Constance Frei
Published in in Arte organaria e organistica. Bergamo, Carrara 2009, pp. 32-37 in
La musica a Finale Emilia: mezzo millenio di storia
Constance Frei
Published in in Finale Emilia : mille anni di storia. Modène, Baraldini 2009, pp. 389-414 in
Dal violino alla tastiera. Ulisse Matthey, William Thomas Best e la Ciaccona di Johann Sebastian Bach
Constance Frei
Published in in in Arte organaria e organistica. Bergame, Carrara 2010, pp. 26-33 in
L’arco sonoro. Articulation et ornementation : les différentes pratiques d’exécution pour violon en Italie au XVIIe siècle
Constance Frei
Published in Lucca, LIM 2011 (658 pp.) in
Du manuscrit à la publication : un contrepoint épistolaire entre Beethoven et Breitkopf & Härtel
Constance Frei
Published in in A Fresco. Mélanges offerts au professeur Etienne Darbellay, édité par Brenno Boccadoro et Georges Starobinski. Berne, Peter Lang 2013, pp. 203-245 in
Le Violon en Italie 1600-1700. Film documentaire de 3 heures avec Stefano Montanari, violoniste
Constance Frei
Published in Paris, Frémeaux & Associés 2014 in
I tipografi romani e bolognesi di Corelli - stampa e ristampa
Constance Frei
Published in in «Arcomelo 2013. Studi nel terzo centenario della morte di Arcangelo Corelli». Lucca, LIM 2015, pp. 371-391 in
Le son de la Révolution : les compositions musicales commémoratives
Constance Frei
Published in in Le Spectacle de la Révolution sous la direction de Gianni Haver, Jean-François Fayet, Valérie Gorin et Emilia Koustova. Lausanne, Antipodes 2017, pp. 233-253 in
Teaching & PhD
Courses
Music, politics and society I
HUM-406
This course examines the presence of exotic musical characteristics (popular and folkloric) - in Europe and beyond - in art music (17th-20th centuries). It culminates in a group (or individual) research paper on a subject related to this theme.
Music, politics and society II
HUM-458
This course examines the presence of exotic musical characteristics (popular and folkloric) - in Europe and beyond - in art music (17th-20th centuries). It culminates in a group (or individual) research paper on a subject related to this theme.
Musicology and aesthetics
HUM-217
Recount the history of musical styles practiced in classical music of the 20th century. Understand and analyze the various contexts, musical languages and the currents of ideas. Know some of the major works of the classical repertory of the 20th century as well as the main theoretical writings.
Musicology and history of music
HUM-242
Recount the historical practices of improvisation from early music of the Renaissance to present modern day. Understand and analyze the various contexts, styles, musical genres in which improvisation is at the forefront. Know some of the major works from the classical repertory and the treatises.