Giulia Bini
EPFL CDH-ARTLAB
CO 172 (Coupole)
Station 10
CH-1015 Lausanne
41 21 693 81 79
Local: CO 172
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Web site: Site web: https://artlab.epfl.ch/
Biographie
Giulia Bini is curator and production manager at the EPFL ArtLab.
She was a member of the curatorial team of ZKM Center for Art and Media, Karlsruhe from 2014 to 2017.
Her work develops in the two axes of theory and institutional practice.
She has conducted research at the Whitechapel Gallery and RIBA, London, 2013; and at the Centre George Pompidou, Paris, 2014. She was a member of the curatorial board of Viafarini DOCVA, Milan, 2012/2013, and has collaborated with institutions among which Pro Helvetia and ZhDK, Zurich in the framework of the Venice Biennale.
In 2017 she completed a Ph.D. at IUAV (Istituto Universitario di Architettura) Venice with a thesis at the crossroads of media theory, curatorial studies, and architectural theory, reflecting on the impact of media and technologies in rethinking architectural discourse and exhibition methods, as well as institutional models.
Her work develops in the two axes of theory and institutional practice.
She has conducted research at the Whitechapel Gallery and RIBA, London, 2013; and at the Centre George Pompidou, Paris, 2014. She was a member of the curatorial board of Viafarini DOCVA, Milan, 2012/2013, and has collaborated with institutions among which Pro Helvetia and ZhDK, Zurich in the framework of the Venice Biennale.
In 2017 she completed a Ph.D. at IUAV (Istituto Universitario di Architettura) Venice with a thesis at the crossroads of media theory, curatorial studies, and architectural theory, reflecting on the impact of media and technologies in rethinking architectural discourse and exhibition methods, as well as institutional models.
She holds a BA in Art History from La Sapienza University of Rome, and an MA in Visual Arts and Curatorial Studies from IUAV, including a period of study in Cultural Studies and Aesthetics at Université Paris 1 Panthéon-Sorbonne.
Her research and curatorial interests in recent years included post-colonialism, exhibition history, and experimental artistic practices, under the impact of scientific discourse and emerging technologies.
Recent scientific collaborations include research for the exhibition and edited volume LOW FORM. Imaginaries and Visions in the Age of Artificial Intelligence at MAXXI Rome, published by CURA in 2018.
Her research and curatorial interests in recent years included post-colonialism, exhibition history, and experimental artistic practices, under the impact of scientific discourse and emerging technologies.
Recent scientific collaborations include research for the exhibition and edited volume LOW FORM. Imaginaries and Visions in the Age of Artificial Intelligence at MAXXI Rome, published by CURA in 2018.